Modern adaptations of Lysistrata are often feminist or pacifist in their aim (see Influence and legacy below). The original play was neither feminist nor unreservedly pacifist. Even when they seemed to demonstrate empathy with the female condition, dramatic poets in classical Athens still reinforced sexual stereotyping of women as irrational creatures in need of protection from themselves and from others.
In fact the play might not even be a plea for an end to the war so much as an imaginative vision of an honorable end to the war at a time when no such ending was possible.[45] According to Sarah Ruden, Lysistrata (Hackett Classics, 2003), the play "nowhere suggests that warfare in itself is intolerable, let alone immoral" (87).
