Comedy of Errors William Shakespeare

One of Shakespeare's earliest plays (its first recorded performance in December 1594), The Comedy of Errors has frequently been dismissed as pure farce, unrepresentative of the playwright's later efforts. While Errors may very well contain...

William Shakespeare includes a Duke to represent the utmost authority figure in many of his plays. In The Comedy of Errors and The Merchant of Venice, both Dukes hold complete control—or, at least, what they perceive to be complete control—over...

The Comedy of Errors, written by William Shakespeare, is mirrored to a major extent by Plautus’s play The Brothers Manaechmus, both of which deal with the issue of separated twins who find themselves in the same town and are mistaken for each...

The Comedy of Errors, written by William Shakespeare and first performed by 1594, largely deals with the concept of identity, from the farcical mistaken identities of twins Antipholus and Dromio, to the roles of the women around them. In an...

The mistaken identities of twins Antipholus of Ephesus and Antipholus of Syracuse, and their slaves Dromio of Ephesus and Dromio of Syracuse, facilitate the comedy upon which Shakespeare’s The Comedy of Errors pivots. A common feature of...

Shakespearian comedies often address the widely-accepted notion in Elizabethan England that suggested that order and balance should prevail both in the world and in performed representations of the world, even if the form of the plays often...

Within The Comedy of Errors by the venerable William Shakespeare, there comes a hectic bit in the first scene of the fifth act whereupon a lowly messenger brings disturbing news to Adriana: “Mistress, upon my life I tell you true / I have not...

In Shakespeare’s Love’s Labor’s Lost and Comedy of Errors, confusion is central to the plot, as well as perceived and subsequent enlightenment. In Love’s Labor’s Lost, confusion and enlightenment are played out through the lenses of education, and...